Music

Lisa Marie’s Homecoming

Written by Sabine Demosthenes

There are some songs that make your little universe stop for a few minutes.

They give you the feeling of being in the room with the people singing and you stop thinking about all your troubles and doubts. You are now hooked on the melody and the emotions of the singers putting their souls into their beautiful voices.

When this duo is a father and daughter, it makes the song a lot more powerful and ethereal.

That’s how I felt this week when I listened to Elvis and Lisa Marie Presley duet “Where No One Stands Alone” on the new gospel album of his father “Where No One Stands Alone”.

Below, you can click to access The Rolling Stone for the article and the bittersweet video.

https://www.rollingstone.com/music/music-news/hear-elvis-lisa-marie-presley-duet-on-revamped-gospel-song-704932/

For me, Lisa Marie is the type of songwriter I have always admired. She doesn’t sugarcoat her lyrics and what you see, is what you get.

I have always been attracted to people that kept everything real and have die-hard authentic souls. When you listen to Lisa Marie’s songs such as “High Enough” from her debut album, “Now What”, you feel the authenticity and her vulnerability. Gosh, the girl is so passionate!

This week, Lisa Marie is back home in Graceland for the Elvis Week Celebration. There will be an exhibition exploring her childhood and career.

Can we expect a new album and a new tour from Ms. Presley in 2018?

Something tells me…

Yes!

We will continue to enjoy her musical journey and she will gladly invite us to join this beautiful journey her way.

Lisa Marie Presley and Jenna Bush Hager Today’s interview

The Festival Season Opener: The Santa Teresa Festival and the Power of Love

Written by Sabine Demosthenes

This past weekend was such a nice weekend.

It was something we actually needed with all of the bad news we have been getting and the state of this world lately.

For some of us, we witness this weekend the power of love (I just love Reverand Curry).

For others, they meditate on how we can make this world a better place.

And for the young at heart, they dance the night away at the best music festival on the North Shore of Montreal, the second edition of the Santa Teresa Festival.

I pretended I was still a young twenty-something ingenue this past Sunday; trying to act cool like in my twenties with the young folks but, my age betrays me. I still manage to party like it was still 1999 (my favorite sentence).

The atmosphere was electrical.

Everyone was happy. For a split second, I didn’t think about how the world was falling apart. I must have still been under my “Power of Love Spell”. Festivals like this are good opportunities to discover new talent.

I was impressed with the Mount Kimbie band from the UK, just by seeing the crowd sing along, you could tell Montrealers were enchanted.

Mount Kimbie and King Krule Santa Teresa 2018

OLYMPUS DIGITAL CAMERA

In my mid-twenties, I was a die-hard fan of electronic music and synth-pop. Listening to Mount Kimbie made me fall in love with this style of music all over again.

Many others artists were there too: Feist, Charly Bliss, Rose Bush, Milk & Bone, and many more.

For a small suburban community like The North Shore, they sure know how to get us to groove like there was no tomorrow!

I can’t wait to see round 3 next year!

https://www.santateresa.ca/en/

Let’s not throw the first stone at Kanye … Yet

Written by Sabine Démosthènes

When I first listened to Kanye’s “The College Dropout” album, I felt like I was rekindling my love story with hip-hop. It was during the era of Ja Rule, DMX and Nelly. I wasn’t feeling the love anymore and had not been discovering new artists.

And then, Mr. West came into my life in an epiphany kind of way.

With his sophomore album, I was still in Kanye’s land. Until this day, listening to both his albums, I had the feeling he was one of my big brother’s childhood friends and I was listening to their conversations discussing the greatest NBA players to who shot Mr. Burns in The Simpson’s (we all know it was Maggie Simpson).

On those two albums, Kanye was saying some pretty hard cold truths about life in a very clever way. I have to applaud his song writing during that period.

But, as the years passed and the social media empire took control of so many things, including the option of thinking before writing or saying something that could end up being the stupidest thing you read, not of the day but of the minute! Kanye seemed to have been more lost and less focused.

He married a woman whose entire empire and fan base was in big part due to social media creations (and that is okay) but I always expected Kanye to be with a woman of substance. Someone with more going on in the brain department, more an academic girl (hmm hmm like me) or an intellectual. But, it wasn’t the case.

And then, he goes from someone that was not afraid to tackle the subject of slavery in a very smart and clever way, like in his song “We Major” featuring Nas The Great and Really Doe to supporting the current president of the so called free world (I really don’t see what the free world stands for anymore).

In my mind, something seems odd. Last week, Kanye brought up the subject of slavery again. It was as well put, just as he sang in his first two albums. This is what I thought at first, since I didn’t see the video but read the headline on a website that I won’t name because I’m ashamed. I was just numb.

But then, (and of course my brother tried to make see his comment in a different light), I realized the problem with Kanye is that he takes himself way too seriously. When you are really listening to what he said, it’s not almost crazy. The way it came out was damn crazy! As the very black girl that I am, I know that this subject always brought us into discussions.

Actually, in a funny kind a way, Kanye is making us think about this delicate subject. My problem is why do you go to TMZ (of all organisations) instead of having a very intelligent conversation with Christiane Armanpour at CNN or Gayle King at CBS. Those journalists would have pushed the envelope and asked him to be more clear.

No, he went to TMZ.

For him to be a supporter of the man that is the so called Commander-In-Chief of the Free World is so weird. Especially for someone that had blasted George W. Bush. But, can we assume that maybe he is supporting this person for a very selfish reason?

Maybe, because he is going to be less rich, he needs this person?

It’s only a question I’m asking.

Please, don’t throw the first stone at me. I am innocent.

The weeks to come will be something!

We will listen to the upcoming albums and maybe after one song, we will be so mad at ourselves for even listening to it, or maybe, it will be another masterpiece. For the masterpiece part, I wrote it because one of his collaborations will be (if it’s still happening) with Nas. So, it could really be good.

In the meantime, let’s hold our breath for the next Kanye moment.

And let’s not throw the first stone at Kanye… Yet.

Collision 2018 week – A conversation with Beatie Wolfe

This is a special week in the tech world. New Orleans is the place, not only for its festive atmosphere but also for the 2018 edition of The Collision Conference.

How to start this special week with Beatie Wolfe? She is a very special singer-songwriter that is not afraid to be curious. She is an innovator and sound creator. The perfect musical scientist in my book!

I couldn’t be there in person for this year conference, but Beatie and I managed to squeeze in a really fun interview.

Let’s enjoy the ride.

SD: What are you looking for this year at the Collision 2018 Conference?

BW: Meaningful connections and conversations with like-minded people who wish to inspire and uplift.

SD: Every time I listened to your album, Raw Space, I feel like I’m in a bubble. It’s a very pleasant sound environment.

Can you explain to us how you created this special atmosphere?

BW: That’s very kind. I honestly don’t know. I think that I give an intense amount of focus to the songwriting, arranging and production process and I really do believe that God is in the detail.

I was also aware that the stage for the album would be the Bell Labs Anechoic Chamber (the ultimate raw space!), which absolutely makes you feel like you’re in a bubble, so I think that influenced the recording/producing process too.

SD: You are the co-founder of a research project that is looking at the influence of music on people that are living with dementia. What inspired you to take part in this amazing project?

BW: I was inspired by neurologist Oliver Sacks and his incredible work looking at the power of music to heal and move us, even when nothing else can.

While reading Musicophilia, I felt that there was no greater application of music than that: pulling people back from the most extreme neurological states, and when I heard that some of my family members had developed dementia, I felt compelled to start applying what I had been reading about.

The amazing thing about the ‘Power of Music & Dementia’ study is that it was the first study to prove the power of music, outside of memory, (new music) for people living with dementia and this was something that Sacks had theorised but not yet tested, stating that “…music does not have to be familiar to exert its emotional pull…” and “…music is a necessity for those with dementia.”

SD: As a very proud Montrealer, I can see some of Leonard Cohen’s inspiration in your lyrics. Other journalists and bloggers can see it too. Are Leonard Cohen’s poetic lyrics what inspired you to be a songwriter?

BW: It is a funny story because Cohen did become a big influence on me, but only after I had played a number of shows and people in the audience would come up and say: “Are you a Leonard Cohen fan? Your music reminds me so much of his.” And back then I had no idea who he was (this was when I was about 16/17).

Then, one guy from a show in Portugal gave me a CD mix of his favorite Cohen songs and from the first time I listened, I was hooked!

I realized that there was someone else who cared as much about the words as I did, someone who was so true to the story, that the music had to serve it.

Cohen was such an incredible wordsmith, poet, and writer in his own right, that I ended up doing my dissertation on him for my English Literature degree, even though the University advised against it, thinking he could not be classed as a writer.

Writing that paper, even against the advice of my professors, was what ended up opening a dialogue with Cohen and his team and at one point, just before he passed away, there was a conversation about him adopting one of my musical formats (the intelligent deck of cards) for “I Want It Darker.”

SD: When you see the words “Musical Innovator”, what kind of emotion does that bring to you?

BW: I think it’s definitely something different to just being a musician or singer-songwriter. For me, the music is always at the core, it is the reason I do everything.

But I love creating worlds for each of my albums and allowing people to feel some of the old school magic that I felt for records at a kid, by creating new formats that combine the best of the old and the best of the new.

So in that way, I am happy to be a musical innovator!

SD: Can we expect a show in the near future in Montreal?

BW: Yes… 110%!! It is a place I have been meaning to visit and play in for so long.

Leonard Cohen’s city welcomes you, Beatie, with open arms!

Written by Sabine Démosthènes

Photography credited to Beatie Wolfe

Thank you Collision 2018

https://collisionconf.com

https://www.beatiewolfe.com

Dumas, Le Grand!

Pour certains et certaines, vous allez trouver que ça m’a pris du temps à écrire ma critique du nouvel album de Dumas quand ça va faire bientôt une semaine que la sortie a eu lieu.

La raison de ce retard est très simple. Je ne pouvais pas m’arrêter de l’écouter en boucle et d’en être reconnaissant à sa juste valeur vu que je suis une amoureuse de l’art musical.

La qualité sonore, le côté “storytelling” de ses paroles accrocheur et le charme incontournable de Dumas font que cet album est à mon plus humble avis, un des meilleurs albums de 2018.

Nous avons eu un petit avant-goût la semaine dernière lors de son lancement.

On en demandait encore plus de temps à être avec lui dans ce beau petit univers qu’il a créé.

Nous sommes très gâtés puisque le maestro Dumas entame déjà sa tournée.

Je vais continuer à écouter Nos Idéaux en boucle pour encore un long moment.

Je suis conquise!

Dumas musique sur Instagram

http://www.dumasmusique.ca

Écrit par Sabine Démosthènes

The Eliot Effect

I still remember it like it was yesterday, when I heard the song Bohemian Love for the first time.

The voice I heard sounded a little familiar but with something special and unique to it. I couldn’t put my finger on it. I felt like someone had just cast a spell on me, or should I say, into my soul.

The group I Blame Coco was making its way into my musical library. I had everyone from my mother to my colleagues at the office, listening nonstop to my new obsession, Bohemian Love.

But, I had a feeling that Eliot was still searching for her true self.

She seemed to have realizeed it because she said no more to I blame Coco and she started her quest of finding her voice and her true self.

She found it and I love everything about it.

Amen!

Eliot Sumner makes me think of a mix of Patti Smith, PJ Harvey, and of course, her father.

He was one of the members of the group The Police. Maybe you have heard of his solo songs in the 80’s, 90’s and today.

But Eliot is her own person and she is creating her legacy in her own way.

Her 2016 album Information is beautiful jewelry. You can have a taste of Electro-Pop, something synth-rock-like with a psychedelic twist. For me, this is heaven to my ears.

The first song of the album gave me some serious goosebumps and listening to it was so visceral.

Dead Arms and Dead Legs is a masterpiece in its simplicity.

Dead Arms and Dead Legs music video

The rest of the album is a beautiful ride into this world Eliot created.

I’m crossing my fingers that she

will do a little show in Montreal.

She did make it to Toronto in 2017, but maybe we can hope that she will jam with us in our beautiful city for The Santa Teresa Festival or Osheaga.

I fell in love, musically, with another Sumner.

I guess I won’t be the only one.

Eliot Sumner Website

Eliot Sumner Instagram

Written by Sab Demosthenes

France, elle l’a!

Quand tu l’as, tu l’as!

Ella, elle l’a!

Ce je ne sais quoi.

Ce classique de France Gall est une de mes chansons cultes depuis l’âge de 4 ans. Je la chante une ou deux fois par jour dans ma douche, dans ma voiture, dans mon bureau.

Il y a quelques années, je chantais souvent avec une des personnes qui me faisait le plus rire. Une personne que je voyais comme une grande sœur dans ma vie. On se promenait au cimetière qui se trouvait en face de notre université. C’était notre chanson à nous deux.

Un petit moment de nostalgie…

Vous pouvez deviner que ce “Chronicle” est un hommage à France Gall.

Elle a, ce tout petit supplément d’âme…

Cet indéfinissable charme.

Étant un enfant digne des années 80, j’ai connu France Gall en entendant ce tube à la radio francophone à Montréal et en visionnant son vidéoclip sur Musique Plus. Je dansais, je chantais et je croyais à cette hymne même en tant qu’une petite gamine plein d’espoir et d’énergie.

La magie Gall et Berger (Michel Berger) était palpable et spéciale. La magie de la musique et de cet héritage si précieux est qu’elle sera éternellement toujours présente.

L’album Babacar est un incontournable pour moi et grâce à cet album, j’ai pu découvrir ses anciens albums qui sont des classiques comme Paris, France. Comment ne pas souligner son rôle dans Starmania de Luc Plamondon. 1979 fut une année de renaissance pour France et comme on dit en anglais“the rest is history”.

France est une artiste que je trouve qui dégage une énergie fracassante avec délicatesse. Ça peut sembler déconcertant mais je trouve ça captivant. Mais c’est son énergie pour ses causes humanitaires qui font que je l’admire tant.

En ce jeudi 14 décembre 2017, je dédie ce “Chronicle” à cette femme qui l’aura toujours cette étincelle.

France, tu l’as et tu l’auras pour toujours cette petite flamme.

The Chronicle